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Tag Archives: Goat Witch

Saturday July 26, 2014

Big day. Meetings, sure. Frontières, of course. But also, the world premieres of two films I’m very excited about. Devil’s Mile, by my dear friend Joe O’Brien, and Goat Witch, the short by Team The Demon’s Rook. The first half of the day very closely resembled the last two days. Meetings, meetings, meetings, an industry panel, and a rooftop networking cocktail party.

Uh, what's happening here? Oh, just another day at Frontières.

Uh, what’s happening here? Oh, just another day at Frontières.

The panel was terrific. It was on the importance of creating a proof of concept for your as-yet unmade film. My favourite teaser of the ones shown was for a film called Radius, that Frontières founder and badass babe Stephanie Trepanier is serving as a producer, which is very exciting indeed. The teaser was beautifully made and pulled me into the story (which I won’t reveal because they’re still in the process of pulling it together and I don’t want to spill the beans about anything they’re not ready to go public with).

The purpose of proof of concept trailers is manifold. They can visually illustrate the tone and style you’ll be going for in your film. They can also prove that you’re capable of pulling off something that might otherwise be a question mark in the minds of the people you’re trying to convince. They can be used to attract financing, but also other elements. One team spoke about the fact that in the broadest sense, their project was a “creature feature”. However, it’s also a romance, and the relationship at the heart of it really takes it out of any potentially shlocky monster movie territory. They used their gorgeous teaser to attract cast who might otherwise not go for a “horror” role.

The panel definitely made me feel fantastic about our decision to cut a trailer of original footage for our Rite of the Witch Goddess pitch from the footage shot for Goat Witch. Because one of the key elements we’re trying to sell this on is the practical effects, it was crucial that we show them off and make our audience understand that we are capable of pulling off the ambitious film we have planned.

In the evening, things turned way more film festivally. First, the premiere of Devil’s Mile, which was really fun and which the audience totally dug. Great Q&A afterwards, too. It was awesome to see Joe enjoy (or at least nervously endure) his moment in the spotlight.

Joe chats with Colin, who was last-minute drafted to run the Q&A

Joe chats with Colin, who was last-minute drafted to run the Q&A

We went for post-screening drinks, and everyone seemed pretty relieved and excited and basically in complete shock. An hour or so later we had to race off to the big Concordia theatre for Goat Witch, playing in front of a sold out crowd before Dead Snow 2. James gave a killer intro (so did Joe, actually, but way different vibes in the smart thriller 7pm crowd and the Nazi zombies midnight crowd) and the short played like gangbusters.

James riles up the crowd like nobody's business

James riles up the crowd like nobody’s business

After all that, it was back to the Embassy, where I could only manage one drink even though I somehow ended up with five drink tickets. Golden opportunity for drunkenness: missed. The Fantasia fatigue had kicked in and I was ready to sleeeeep.


I am really looking forward to Fantasia this year, for lots of reasons. Seeing a few movies, of course, including my lovely friend Joe O’Brien’s Devil’s Mile. I’d also love to see Faults and Mr. Go, which are playing during our trip there. And of course there’s Goat Witch, the new short James Sizemore joint, which is screening before the midnight film (Dead Snow: Red vs Dead!!) on Saturday.

Goat Witch reprazent

Goat Witch reprazent

Realistically, I shouldn’t even spend too much time looking at the screening schedule because I’ll get all excited about seeing stuff and then I’ll end up seeing nothing, because my Frontières schedule will be really packed.

For anyone who is reading this and will be in Montreal on Wednesday June 23, I highly, highly recommend Kumiko: The Treasure Hunter, an absolute fave of mine from Berlin. Really beautiful movie.

Kumiko is hilarious and heartbreaking in equal measure

Kumiko is hilarious and heartbreaking in equal measure

I’m also excited about seeing pals from all over the world (and Montreal) and doing fun things with them, like going to eat at La Prunelle, because that restaurant was my favourite discovery of last year’s Fantasia trip. The food is top notch, and it’s a bring-your-own-wine place, so it ends up being extremely reasonably priced. Colin (and our dining companion, John) both ordered the bison rib, which was the tenderest piece of meat I ever tasted, and also bigger than his head. I can’t even remember what I ate, because it wasn’t novelty-sized.

this Plateau joint is very worthwhile

this Plateau joint is very worthwhile

And, most of all, I’m equal parts terrified and excited about the actual Frontières co-production market, where we will pitch Rite of the Witch Goddess to the world for the first time.

My to do list for that still includes:

  • Finalizing the pitch script with James and Tim
  • Waiting with bated breath for our proof of concept trailer to be completed
  • Compiling (with the team’s help) a slideshow of images to play during our presentation
  • Sending the Fantasia team our list of people who we want to request meetings with
  • Designing and printing a Rite of the Witch Goddess postcard
  • Updating and printing the Ultra 8 Pictures “slate” flyer, which has info about the other films we’re working on
  • Finalizing the Rite of the Witch Goddess LookBook, where we’ll be hosting all the documents & videos that are going to be part of our presentation, so that the people we meet can access all that info even after the market is over.
  • Oh yeah, and I should get my nails done.
this is what my nails looked like for Fantasia 2013

this is what my nails looked like for Fantasia 2013