Our final day in the studio went well enough, though we ended up calling in three extras who we paid to sit around and then go home, because we never got to their scene. It’s an expensive lesson to learn about the importance of realistic planning, and I guess I have learned it now.

We did the first half of our day in studio – two weird and challenging shots, a stunt of a woman falling to her death (in reality her falling about six feet onto a mat against a black background) and a scene of her dead body being found in a freezer (an actual walk-in fridge that we rented for the day).

Both were fiddly scenes with lots of details to consider, so they took a bit longer than we hoped. By the time we got to the second, more physically demanding half of our day, everyone was already pretty tired.

The second half of the day was all exteriors – driving shots, mostly. It would have been a breeze if the eve of June friggin’ first wasn’t freezing cold and super rainy. Standing outside under a leaky tent (or under nothing at all) for several hours is a bummer. I had immense sympathy for the actress who had to drive a convertible up and down a road over and over again for us to get a shot (with the top down, of course). She was a serious trooper.

beautiful (cold) woman in vintage Fiat Spider

beautiful (cold) woman in vintage Fiat Spider

It ended up being a really good day. We got most of what we needed and were left set up pretty well for the following two days – incredibly, mind-bogglingly ambitious days that will both thankfully be indoors at a crazy boutique hotel downtown.

It’s weird how quickly the whole production has whizzed by. And at the same time, week one feels like it happened a year ago. Oh, the mysteries of time.