This is the day that I pack with film watching! Feels like being at a film festival, finally, except that almost everyone’s already left town and it actually feels like everything is over just as I’m hitting my stride. On day one or two, I felt like I had already been here for months, but now it seems like the whole thing whizzed by in the blink of an eye.
I kick off the day with a screening of the competition film Borgman, which is apparently the first Dutch film in competition in over 30 years. It’s absurd and funny and defies description (and really, any description would be a bit of a spoiler, and the surprises in this one are so satisfying). Loosely, the plot is about a man who slowly worms his way into the lives of an unassuming family, with unexpected and bizarre consequences. Refreshing!
Next up, I pop into the Quebecois film Sarah Prefers to Run, which is in the Un Certain Regard programme. It’s a small and simple movie about a young woman who loves to run. Sarah’s commitment to running has all but eliminated any hopes of a normal social life (or any kind of life outside of running), but considering how awkward she is in all her human interactions, perhaps it’s for the best. After all, given a choice, Sarah prefers to run over pretty much any other activity.
After a short break for quick snacks, I race across from the Palais to the Theatre Croisette (a whopping 10 minute walk, really) to catch Erik Matti’s On the Job. The film looks fantastic and there are a lot of great action moments in it, but I can’t help feeling that a lot is lost in the cultural translation about the way Philippine society works. The plot centres around two inmates who are routinely let out of prison by corrupt guards in order to work as assassins. The relationship between the two is interesting, but the ins and outs of the prison system are difficult to understand at first, and once the film broadens into the larger corruption (it reaches to the top, naturally), I missed the intimate story about the two hitmen that we’d started with.
The final film of the day is Nicolas Winding Refn’s Only God Forgives, which had just a couple of days ago received some boos in the press screening but was then seemingly well received by the later public audience. None of the negative reactions lessened my excitement, and I have to say I wasn’t disappointed. The film is slow, highly stylized, and Gosling isn’t really the hero or even the main character (Thai actor Vithaya Pansringarm is, and he’s great). I loved the Thai colour palette, the deliberately languid pacing and the dreamlike atmosphere. And I loved Kristen Scott Thomas! She is the best bad mom ever.
But anyway, being booed puts the film into some pretty fantastic company, as this Booed at Cannes retrospective at BAM in Brooklyn points out.
After Only God Forgives, Colin and I go off to dinner with some friends who work in distribution, back at Papa Nino’s, our favourite pizza place in town. There’s a weird amount of pizza joints in this town. I don’t know if it’s the proximity to Italy or what, but you couldn’t spit without hitting a pizza place in Cannes. They’re all pretty decent, but Papa Nino’s is by far the best. It’s a small mom & pop shop that seats 30 (tops) and I hope it never gets too popular, because it’s so good. We’ve eaten there three times on this trip and it hardly feels like enough times.
Spending the day watching movies did wonders for my sense of calm and wellbeing. At this point, getting through the odds and ends of the last couple of days seems like it’ll be a breeze.